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Oxandrolone is a synthetic androstane steroid and a 17α-alkylated derivative of DHT. [28] [29] [4] It is also known as 2-oxa-17α-methyl-5α-dihydrotestosterone (2-oxa-17α-methyl-DHT) or as 2-oxa-17α-methyl-5α-androstan-17β-ol-3-one, and is DHT with a methyl group at the C17α position and the C2 carbon replaced with an oxygen atom. [28] [29] [4] Closely related AAS include the marketed AAS mestanolone (17α-methyl-DHT), oxymetholone (2-hydroxymethylene-17α-methyl-DHT), and stanozolol (a 2,3- pyrazole A ring -fused derivative of 17α-methyl-DHT) and the never-marketed/ designer AAS desoxymethyltestosterone (3-deketo-17α-methyl-δ 2 -DHT), methasterone (2α,17α-dimethyl-DHT), methyl-1-testosterone (17α-methyl-δ 1 -DHT), and methylstenbolone (2,17α-dimethyl-δ 1 -DHT). [28] [29] [4]

 The topic of my master’s thesis evolved not only from my own interest and fascination of jacquard weaving. A little bit of luck contributed to the final outcome of this study as well.  At an early point of my study, I wanted to discuss the material and col-our design of woven textiles. I considered various ways on how to approach the subject from a fresh and meaningful point of view. In the beginning of the spring of 2014, I spent three months on an internship at the Italian weaving mill Lodetex. Lodetex is specialized in the production of jacquard fabrics for furnishing markets. I decided that doing my thesis in collaboration with Lodetex would be a viable continuum after working in the company as an intern. I discussed the matter with owner Luca Farhanghi and he agreed that a thesis collaboration would be interesting and beneficial for the both of us. He informed me about a few production lines that the company planned on developing. One of these lines related to clipped designs. To me, the development of clipped designs seemed like a fascinating and interesting topic to research. Since I had already designed two clipped designs during my internship, I realized that the weaving process of these fabrics required more advanced technical understanding in interwoven structure of cloth. Therefore, this project gave me a chance to improve my skills in artistic expression as well as develop my knowledge in designing, weaving and finishing of clipped cloths.

“WE BELIEVE ART SHOULD BE PART OF DAILY LIFE”  -Montana Lisboa-
Entering the venue, I was not disappointed at all. Montana Lisboa turned out to be an absolute stunner. It wasn’t only a lunch place, not even only a graffiti shop, it turns out that a creative workspace and a gallery named “underdogs” also keep house in this old port house. The different paintings on the wall immediately caught my eye, but what was really standing out was the interactive IPad art-wall.
 
On a city-map on one of the big industrial walls, IPads were featuring the cities graffiti art by showing visuals of the pieces exactly on the geographical location of the artworks. Not only a piece of art on its own, but also a way to promote the safari’s one can sign up for to see the city’s hidden arty urban hotspots.
 
Montana Lisboa is an absolute hotspot itself in the heart of a vibrant city, a place where the innovative and creative scene of Lisbon comes together to meet, create and innovate. Moreover, this hub is the embodiment of how we should be open for cross-sectoral innovations, for togetherness and for the creative scene that is earning his place in a new and open-minded society.
 

 

 
Cecile Cremer

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